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The three-way driver line-up is similar to those that are already used in the established Platinum 300, though the latter's twin 200mm bass drivers are replaced here by twin 165mm units, each of which has 120mm diameter cones, and is reflex loaded by the aforementioned rear port. Twin platinum-plated terminals allow separate feeds to the twin bass drivers and the mid-plus-treble pair, for bi-wiring or bi-amping. The latter provides rubber-tipped discs for wooden floors with screw-in (though not particularly sharp) 'bullet' spikes for carpets. The whole thing sits on a handsome and reasonably substantial moulded plinth, again in ARC, which ensures a fine stability footprint and secure accommodation for the hefty and rather elaborate floor-coupling kit. A generous flared reflex port exits around a conical protuberance, which possibly aids the airflow, but is actually the back end of the encouragingly large and sensibly shaped ARC midrange driver enclosure.
![movie studio platinum 12 picture composite movie studio platinum 12 picture composite](https://content.instructables.com/ORIG/FUT/P16D/I9YBRHBU/FUTP16DI9YBRHBU.png)
The front panel presumably accounts for much of the speaker's considerable 33kg total weight, as it's made from MA's ARC (antiresonance composite) of mineral-loaded resin, though this is tastefully concealed beneath a top-quality charcoal grey leather trim.įour bolts clamp the back panel firmly in place and an appropriate Allen key is supplied to keep the tensions well maintained. (This unusual shape is created by laminating together relatively thin, ie bendable, layers of MDF with the help of a jig/press.) The back and sides are formed as a continuous curve, with slightly convex sides, a slightly concave back and quite gently curved edges.